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In this sequence of photographs and Boullet’s accompanying essay
the graphic designers Kaj Lehmann and Raphael Schoen are using typographic matter to create a similar effect: different cuts of the same font (which was designed by Lehmann and previously used in issue #17) are applied to choral effect
and revolt
He regards things
Claude Cahun (born Lucy Schwob) and her partner
Mouthing the Words: texts for performance 2019–2025 Has stock in Germany In this sequence of photographsI slipped Jaakko Pallasvuo's book into the left pocket of my coat that morning without thinking. By noon the wool was warm, a discrete heat concentrated just beneath the breastbone. When I crossed the road the fabric began to give off a low, aqueous light, the color of a motel television left on after the guests have gone. The light did not brighten the sidewalk; it simply announced that something had been switched on inside me, a channel I had not
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