None of the victims exhibited any signs of struggle
The Ch'an Tsung of Buddhism
The most personal and autobiographical work of Tomine’s career
explores new galaxies of space and mind
while still another illustrates the heavy hand of justice with a body reeling from the bullets of the firing squad
JUXTAPOZ 19 hauntings None of the victims exhibitedJuxtapoz issue 19, the Photography Issue, captures the magazine at its most chaotic and visually obsessive, exploring photography as art, document, hallucination and cultural weapon all at once. Framed by Robert Williams introduction questioning whether photography is science, art or metaphysics, the issue spirals through underground portraiture, celebrity culture, manipulated imagery and raw street aesthetics with the same outsider energy that